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Review Greenwood Press  / Elvis Costello: A Bio-Bibliography (Bio-Bibliographies in Music) Edition: annotated edition
Publication date: 1998-11-30
Dewey code: 782.42166092
List Price: $101.95
Price: $59.87

Review Elvis Costello: A Bio-Bibliography (Bio-Bibliographies in Music) / Greenwood Press:

The influential rock musician Elvis Costello is recognized for the impressive breadth and scope of his music. His collaborations with such musicians as Tony Bennett and the Count Basie orchestra, however, attest to the many contradictions that define Elvis Costello, the punk rocker. This important guide to his music and career contains over 800 bibliographic citations and a complete discography of Costello's commercially released recordings. The discography, divided into two sections, separately details Costello's career as performer and composer. A brief biography traces his critically acclaimed career and highlights both the influences on his music and the myriad ways in which his music has influenced others.

Review Oxford University Press, USA  / The Music of Joni Mitchell Edition: illustrated edition
Publication date: 2008-08-04
Dewey code: 782.42164092
List Price: $99.00
Price: $74.25

Review The Music of Joni Mitchell / Oxford University Press, USA:

Joni Mitchell is one of the foremost singer-songwriters of the late twentieth century. Yet despite her reputation, influence, and cultural importance, a detailed appraisal of her musical achievement is still lacking. Whitesell presents a through exploration of Mitchell's musical style, sound, and structure in order to evaluate her songs from a musicological perspective. His analyses are conceived within a holistic framework that takes account of poetic nuance, cultural reference, and stylistic evolution over a long, adventurous career. Mitchell's songs represent a complex, meticulously crafted body of work. The Music of Joni Mitchell offers a comprehensive survey of her output, with many discussions of individual songs, organized by topic rather than chronology. Individual chapters each explore a different aspect of her craft, such as poetic voice, harmony, melody, and large-scale form. A separate chapter is devoted to the central theme of personal freedom, as expressed through diverse symbolic registers of the journey quest, bohemianism, creative license, and spiritual liberation. Previous accounts of Mitchell's songwriting have tended to favor her poetic vision, expansive verse structures, and riveting vocal delivery. Whitesell fills out this account with special attention to musical technique, showing how such traits as complex or conflicting sonorities, dualities of harmonic mode, dialectical tensions of texture and register, intricately layered instrumental figuration, and a variable vocal persona are all essential to her distinctive identity as a songwriter. [+]
The Music of Joni Mitchell develops a set of conceptual tools geared specifically to Mitchell's songs, in order to demonstrate the extent of her technical innovation in the pop song genre, to give an account of the formal sophistication and rhetorical power characterizing her work as a whole, and to provide grounds for the recognition of her intellectual stature as a composer within her chosen field.

Review University of Michigan Press  / Don't Deny My Name: Words and Music and the Black Intellectual Tradition Creator: Aldon Lynn Nielsen
Publication date: 2008-05-02
Dewey code: 781.6408996073
List Price: $65.00
Price: $64.35

Review Don't Deny My Name: Words and Music and the Black Intellectual Tradition / University of Michigan Press:

Black musical forms profoundly influenced the work of American poet and leading literary figure Lorenzo Thomas, and he wrote about them with keen insight-and obvious pleasure. This book, begun by Thomas before his death in 2005, collects more than a dozen of his savvy yet engagingly personal essays that probe the links between African American music, literature, and popular culture, from the Harlem Renaissance to the present. Don't Deny My Name (which takes its title from a blues song by Jelly Roll Morton) begins by laying out the case that the blues is a body of literature that captured the experience of African American migrants to the urban North and newer territories to the West. The essays that follow collectively provide a tour of the movement through classic jazz, bop, and the explosions of the free jazz era, followed by a section on R&B and soul. The penultimate essay is a meditation on rap music that attempts to bring together the extremes of emotion that hip hop elicits, and the collection ends with an unfinished preface to the volume.

Review Palgrave Macmillan  / The Long and Winding Road from Blake to the Beatles (Nineteenth-Century Major Lives and Letters) Publication date: 2008-06-15
Dewey code: 782.421660922
List Price: $74.95
Price: $60.98

Review The Long and Winding Road from Blake to the Beatles (Nineteenth-Century Major Lives and Letters) / Palgrave Macmillan:

The story of the Beatles begins not with the rock-'n’-roll revolution of the 1950s, but in the Romantic revolution of the 1790s, when age-old notions about literature, politics, education, and social relations changed forever.   Tracing the Beatles to their late eighteenth- and early nineteenth-century poetic, musical, and philosophic roots, The Long and Winding Road from Blake to the Beatles weaves literary criticism and cultural analysis together to how the Fab Four—in their songs, personalities, and relations with each other—mirror the themes and history of Anglo-American Romanticism.

Review Greenwood  / Encyclopedia of Indie Rock Creator: Kerry L. Smith
Publication date: 2008-06-30
Dewey code: 781.6603
List Price: $75.00
Price: $60.00

Review Encyclopedia of Indie Rock / Greenwood:

Independent rock, known as indie rock (rock independent of the major label corporations), is music dedicated to the art of rock: it's adventurous, eclectic, defiant, inventive, and restlessly creative. For over 40 years, indie bands have prided themselves on the back-breaking efforts of self-promotion, self-produced albums, homemade album cover art, and even, for the stalwart artist, self-run record labels. Encyclopedia of Indie Rock chronicles the history and development indie rock, providing students, scholars, and music fans with an extensive overview of the musical and cultural phenomenon. Inside this engaging volume readers will find over 150 entries on the singers and songwriters, producers, labels, and icons who have shaped the genre from the humble beginnings of lo-fi homemade records in the 1960s through the history of seasoned veterans who mastered the fine art of staying afloat despite every obstacle that the cutthroat industry threw at them. This work also includes a timeline; a resource guide, which includes recommended books and articles, Web sites, and festivals; and indices in both the front and back of the book to make navigation very user-friendly. Necessary and entertaining reading for any indie rock fan who has ever adorned their locker, backpack, or car with a band's logo, Smith captures the history and evolution of the movement in this thorough, illuminating encyclopedia.

Review Oxford University Press, USA  / Stolen Time: The History of Tempo Rubato (Clarendon Paperbacks) Publication date: 1997-04-17
Dewey code: 781.46
List Price: $84.99
Price: $67.42

Review Stolen Time: The History of Tempo Rubato (Clarendon Paperbacks) / Oxford University Press, USA:

Tracing the complex history of tempo rubato, this book identifies and traces the development of two main types of rubato: an earlier one in which note values in a melody are altered while the accompaniment keeps strict time, and a later, more familiar one in which the tempo of the entire musical substance fluctuates. In the course of his narrative, Hudson ranges widely over western music, from Gregorian Chant to Chopin, from C. P. E. Bach to jazz, quoting extensively from the writings of theorists, composers, and performers.

Review Princeton University Press  / The American Popular Ballad of the Golden Era, 1924-1950: A Study in Musical Design Publication date: 1995-10-16
Dewey code: 782.42164097309041
List Price: $87.00
Price: $69.65

Review The American Popular Ballad of the Golden Era, 1924-1950: A Study in Musical Design / Princeton University Press:

In this pathbreaking book, Allen Forte uses modern analytical procedures to explore the large repertoire of beautiful love songs written during the heyday of American musical theater, the Big Bands, and Tin Pan Alley. Covering the work of such songwriters as Jerome Kern, Irving Berlin, Cole Porter, George Gershwin, Richard Rodgers, and Harold Arlen, he seeks to illuminate this extraordinary music indigenous to America by revealing its deeper organizational characteristics. In so doing, he aims to establish it as a unique corpus of music that deserves more intensive study and appreciation by scholars and connoisseurs in the broader fields of American popular music and jazz. Expressing much of the traditional tonality associated with European music in the eighteenth and nineteenth centuries, the love songs of the Golden Age are shown to draw on a rich variety of elements-popular harmony, idiomatic lyric-writing, and Afro-American dance rhythms. His analyses of such songs as "Embraceable You" or "Yesterdays" in particular exemplify his ability to convey the sublime, unpretentious simplicity of this great music.

Review University of California Press  / This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and Punk (Roth Family Foundation Music in America Imprint) Edition: 1
Publication date: 2009-02-04
Dewey code: 781.66
List Price: $65.00
Price: $60.98

Review This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and Punk (Roth Family Foundation Music in America Imprint) / University of California Press:

This lively and entertaining revisionist history of rock music after 1970 reconsiders the roles of two genres, heavy metal and punk. Instead of considering metal and punk as aesthetically opposed to each other, Steve Waksman breaks new ground by showing that a profound connection exists between them. Metal and punk enjoyed a charged, intimate relationship that informed both genres in terms of sound, image, and discourse. This Ain't the Summer of Love traces this connection back to the early 1970s, when metal first asserted its identity and punk arose independently as an ideal about what rock should be and could become, and upends established interpretations of metal and punk and their place in rock history.

Review British Film Institute  / Pop Music in British Cinema: A Chronicle (BFI Film Classics) Publication date: 2002-02-26
Dewey code: 791
List Price: $85.00
Price: $84.97

Review Pop Music in British Cinema: A Chronicle (BFI Film Classics) / British Film Institute:

Illustrated Pop music stars in many of the most exciting and successful British films-from Performance to Trainspotting, from A Hard Day's Night to Human Traffic. Other films using pop music might be more obscure but include many demonstrating a boldness and imagination rarely matched in other areas of British cinema. Pop artists (David Bowie, Cliff Richard, Spice Girls, Patsy Kensit, Sex Pistols) could be said to be captured at their most iconic on celluloid. And of course there are the rare but prized cameos from a huge variety of other musicians and their songs in the most unexpected of places. This book tells the story and records the facts of the pop-film relationship decade by decade. It is the most systematic guide to where and how pop appears in British cinema. Pop in British Cinema includes: * Decade by decade commentary and systematic listings of films with pop music * Comprehensive referencing of all British feature films using music from the 50s to the end of the century * Illustrations and descriptions of the changing ways of using pop in British film * Listings of "band" movies and indexes to musicians, directors, and film titles For researchers and the curious alike this is an easy and fascinating reference source. It represents both a first history of pop music in British cinema and a mine of trivia questions for music and film buffs of all descriptions.

Publication date: 2008-01-30
Dewey code: 780.972983
List Price: $74.95
Price: $70.24

Review Bacchanalian Sentiments: Musical Experiences and Political Counterpoints in Trinidad / Duke University Press:

Trinidad is known for its vibrant musical traditions, which reflect the island's ethnic diversity. The annual Carnival, far and away the biggest event in Trinidad, is filled with soca and calypso music. Soca is a dance music derived from calypso, a music with African antecedents. In parang, a Venezuelan and Spanish derived folk music that dominates Trinidadian Christmas festivities, groups of singers and musicians progress from house to house, performing for their neighbors. Chutney is also an Indo-Caribbean music. In Bacchanalian Sentiments, Kevin K. Birth argues that these and other Trinidadian musical genres and traditions not only provide a soundtrack to daily life on the southern Caribbean island; they are central to the ways that Trinidadians experience and navigate their social lives and interpret political events. Birth draws on fieldwork he conducted in one of Trinidad's ethnically diverse rural villages to explore the relationship between music and social and political consciousness on the island. He describes how Trinidadians use the affective power of music and the physiological experience of performance to express and work through issues related to identity, ethnicity, and politics. He looks at how the performers and audience members relate to different musical traditions. [+]
Turning explicitly to politics, Birth recounts how Trinidadians used music as a means of making sense of the attempted coup d'état in 1990 and the 1995 parliamentary election, which resulted in a tie between the two major political parties. Bacchanalian Sentiments is an innovative ethnographic analysis of the significance of music, and particular musical forms, in the everyday lives of rural Trinidadians.

Publication date: 2007-05-02
Dewey code: 781.64117
List Price: $60.00
Price: $59.40

Review Listening to Popular Music: Or, How I Learned to Stop Worrying and Love Led Zeppelin (Tracking Pop) / University of Michigan Press:

 It has long been assumed that people who prefer Led Zeppelin to Mozart live aesthetically impoverished lives. But why? In Listening to Popular Music, award-winning popular music scholar Theodore Gracyk argues that aesthetic value is just as important in popular listening as it is with “serious” music. And we don’t have to treat popular music as art in order to recognize its worth. Aesthetic values are realized differently in different musical styles, and each requires listening skills that people must learn.  Boldly merging insights from popular music studies, aesthetic theory, cognitive science, psychology, identity theory, and cultural studies, Gracyk crafts an innovative study that argues that understanding aesthetic value is crucial to the enjoyment of all forms of music. Listening to Popular Music thus offers a new, general framework for understanding what it means to appreciate music, showing that an informed preference for popular music is a response to real values of the music, including aesthetic values.  "Finally, a book on aesthetics that's philosophically grounded, anti-elitist, and tailored to popular music. Much needed and deftly achieved. "—William Echard, Department of Music, and Institute for Comparative Studies in Literature, Art, and Culture, Carleton University "A sophisticated account of aesthetic value in popular music that revealingly challenges orthodoxies of cultural studies and traditional aesthetics. "—Stephen Davies, Department of Philosophy, University of Auckland, and author of The Philosophy of Art"Gracyk's arguments are thoughtful, clear, and persuasive, and it's refreshing to see him expose the flaws in commonly repeated critiques of popular music. [+]
This book will challenge open-minded doubters to take popular music seriously. "—Mark Katz, Assistant  Professor of Music, University of North Carolina at Chapel Hill, and author of Capturing Sound: How Technology Has Changed Music Theodore Gracyk is Department Chair and Professor of Philosophy at Minnesota State University Moorhead. He is the author of Rhythm and Noise: An Aesthetics of Rock and I Wanna Be Me: Rock Music and the Politics of Identity, which won the 2002 IASPM-US Woody Guthrie Book Award.

Review Oxford University Press, USA  / Please Please Me: Sixties British Pop, Inside Out Publication date: 2008-09-10
Dewey code: 781.64094109046
List Price: $99.00
Price: $74.22

Review Please Please Me: Sixties British Pop, Inside Out / Oxford University Press, USA:

The Beatles, the Rolling Stones, the Kinks, the Who, and numerous other groups put Britain at the center of the modern musical map. Please Please Me offers an insider's view of the British pop-music recording industry during the seminal period of 1956 to 1968, based on personal recollections, contemporary accounts, and all relevant data that situate this scene in the economic, political, and social context of postwar Britain. Author Gordon Thompson weaves issues of class, age, professional status, gender, and ethnicity into his narrative, beginning with the rise of British beat groups and the emergence of teenagers as consumers in postwar Britain, and moving into the competition between performers and the recording industry for control over the music. He interviews musicians, songwriters, music directors, and producers and engineers who worked with the best-known performers of the era. Drawing his interpretation of the processes at work during this musical revolution into a wider context, Thompson unravels the musical change and innovation of the time with an eye on understanding what traces individuals leave in the musical and recording process.

Review Routledge  / Oh Boy!: Masculinities and Popular Music Creator: Freya Jarman-Ivens
Publication date: 2007-04-25
Dewey code: 781.63081
List Price: $100.00
Price: $60.95

Review Oh Boy!: Masculinities and Popular Music / Routledge:

From Muddy Waters to Mick Jagger, Elvis to Freddie Mercury, and from Jeff Buckley to Justin Timberlake, masculinity in popular music has been an issue explored by performers, critics, and audiences. Oh Boy! is the first serious study of how forms of masculinity are negotiated, constructed, represented and addressed in popular music texts and practices. Written by a group of internationally recognized pop music scholars including: Sheila Whiteley, Richard Middleton, and Judith Alberstam, the essays are anchored by musical analysis or close reading of musical texts and discourses. For students of popular music, performance, and gender studies, this collection focuses on the growing interest in masculinity. Oh Boy! represents a long overdue addition to the fields of popular music studies and gender studies, and is placed firmly at the intersection of these two well-established fields of study.

Review NYU Press  / Traces of the Spirit: The Religious Dimensions of Popular Music Publication date: 2002-07-01
Dewey code: 781.64112
List Price: $70.00
Price: $70.00

Review Traces of the Spirit: The Religious Dimensions of Popular Music / NYU Press:

Most studies of the religious significance of popular music focus on music lyrics, offering little insight into the religious aspects of the music itself. Traces of the Spirit examines the religious dimensions of popular music subcultures, charting the influence and religious aspects of popular music in mainstream culture today and analyzing the religious significance of the audience's experiences, rituals, and worldviews. Sylvan contends that popular music subcultures serve the function of religious communities and represent a new and significant religious phenomenon. Drawing on ethnographic fieldwork using interviews and participant observation, Sylvan examines such subcultures as the Deadheads, raves and their participants, metalheads, and Hip Hop culture. Based on these case studies, he offers a comprehensive theoretical framework in which to study music and popular culture. In addition, he traces the history of West African possession religion from Africa to the diaspora to its integration into American popular music in such genres as the blues, rock and roll, and contemporary musical youth subcultures.

Review Record Research  / Joel Whitburn Presents the Billboard Hot 100 Annual 7th Edition (1955-2005) Creator: Joel Whitburn
Edition: 7
Publication date: 2007-09-01
Dewey code: 780
List Price: $59.95
Price: $59.95

Review Joel Whitburn Presents the Billboard Hot 100 Annual 7th Edition (1955-2005) / Record Research:

A must for every music enthusiast's bookshelf, the Hot 100 Annual is a year-by-year ranking, in numerical order according to the highest chart position reached, of the 25,000 singles that peaked on Billboard's pop singles charts from January 1955 through December 2005. Features comprehensive, essential chart data and more arranged for fast, easy reference. The special bonus section also features: Top 500 artists ranking * charted Christmas singles section * Academy Award and Grammy Award-winning songs and records * complete alphabetical song title list * other artist, songwriter, and record achievements.

Review University Press of Mississippi  / Out of Sight: The Rise of African American Popular Music, 1889-1895 (American Made Music Series) Publication date: 2003-02-13
Dewey code: 781.6408996073
List Price: $75.00
Price: $75.00

Review Out of Sight: The Rise of African American Popular Music, 1889-1895 (American Made Music Series) / University Press of Mississippi:

From 1889 to 1895, the fire that would ignite almost every American popular music style was sparking. These were some of the worst years in American race relations, yet they witnessed the emergence of ragtime and the birth of an African American popular entertainment industry. Out of Sight is the first book dedicated to this signal period of black musical development. It is a landmark study, based on thousands of music-related references mined by the authors from a variety of contemporaneous sources, especially African American community newspapers. The citations are organized and explained in a way that clears a path through the dense landscape of this neglected period in black music history. Accompanying the text are 150 halftones, also excavated from period sources, offering a broad pictorial canvas of African American music during the years before ragtime's commercial ascendancy. Out of Sight examines musical personalities, issues, and events in context. It confronts the inescapable marketplace concessions musicians made to the period's prevailing racist sentiment. With detail never available in a book before, it describes the worldwide travels of jubilee singing companies, the plight of the great black prima donnas, and the evolutions of "authentic" African American minstrels. With its access to newspapers and photos, Out of Sight puts a face on musical activity in the insular black communities of the day. [+]
Drawing on hard-to-access archival sources and song collections, the book is of crucial importance for understanding the roots of jazz, blues, and gospel. It is essential for comprehending the evolution and dissemination of African American popular music from 1900 to the present. Out of Sight paints a rich picture of musical variety, personalities, issues, and changes during the period that shaped American popular music and culture for the next hundred years. Lynn Abbott is an independent scholar living in New Orleans. His work has been published in American Music, 78 Quarterly, American Music Research Center Journal, and The Jazz Archivist. Doug Seroff is an independent scholar living in Greenbrier, Tenn. His work has appeared in American Music, Black Music Research Newsletter, Blues Unlimited, and Record Exchanger, among others. A leading expert on black gospel quartet singing for twenty-five years, he has written chapters published in anthologies and many scholarly essays for a wide variety of journals.

Review Polity  / Popular Music and Society Edition: 2
Publication date: 2007-05-14
Dewey code: 306.48424
List Price: $89.95
Price: $59.98

Review Popular Music and Society / Polity:

This new edition of Popular Music and Society, fully revised and updated, continues to pioneer an approach to the study of popular music that is informed by wider debates in sociology and media and cultural studies. Astute and accessible, it continues to set the agenda for research and teaching in this area. The textbook begins by examining the ways in which popular music is produced, before moving on to explore its structure as text and the ways in which audiences understand and use music. Packed with examples and data on the contemporary production and consumption of popular music, the book also includes overviews and critiques of theoretical approaches to this exciting area of study and outlines the most important empirical studies which have shaped the discipline. Topics covered include:• The contemporary organisation of the music industry;• The effects of technological change on production;• The history and politics of popular music;• Gender, sexuality and ethnicity;• Subcultures;• Fans and music celebrities. For this new edition, two whole new chapters have been added: on performance and the body, and on the very latest ways of thinking about audiences and the spaces and places of music consumption. This second edition of Popular Music and Society will continue to be required reading for students of the sociology of culture, media and communication studies, and popular culture.

Review Cambridge University Press  / Putting Popular Music in its Place Edition: 1
Publication date: 2006-11-02
Dewey code: 781.6409
List Price: $75.00
Price: $61.67

Review Putting Popular Music in its Place / Cambridge University Press:

This volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music and its interrelationships with other styles and genres, including classical music, the meaning of popular music for audiences, and the institutional appropriation of this music for hegemonic purposes. Specific topics include the use of popular song to rouse anti-slavery sentiment in mid-nineteenth-century America, the reception of such African-American styles and genres as rock 'n' roll and soul music by the black population of South Africa, the question of genre in the early songs of Irving Berlin, the attempts by the governments of South Africa and China to impose specific bodies of music on their populations, and the impact of modernist modes of thought on writing about popular music.

Review Greenwood Press  / The Johnny Cash Record Catalog (Music Reference Collection) Publication date: 1994-10-30
Dewey code: 016.782421642092
List Price: $85.00
Price: $85.00

Review The Johnny Cash Record Catalog (Music Reference Collection) / Greenwood Press:

The year 1994 marks the 40th anniversary of the start of the remarkable recording career of country music performer Johnny Cash. This Catalog lists over 2,200 releases from around the world along with the contents of numerous extended-play albums, long-play albums, compact discs, and singles. A section is also devoted to "bootleg" material. This Catalog is a useful companion volume to the two discographies published earlier by Greenwood, which listed only a few of his "major" releases. In terms of popularity, the music of Johnny Cash has spanned not only continents, but decades of fans.

Edition: 1
Publication date: 2002-02-01
Dewey code: 781.6309
List Price: $220.00
Price: $196.87

Review Soundtracks : Popular Music, Identity and Place (Critical Geographies) / Routledge:

Soundtracks traces the relationships between music, space and identity-from inner city 'scenes' to the music of nations-to give a wide-ranging perspective on popular music. It examines the influence of cultures, economics, politics and technology on the changing structure and geographies of music at local and global levels. Taking music from its role as an expression of local culture in indigenous societies to its gradual evolution towards a global music industry, this work pays particular attention to the complex spread of world music from reggae to zouk and beyond. Containing an impressive and comprehensive range of global case studies Soundtracks takes an innovative approach to the complex and changing relationships between music and space to provide a genuine global assessment of the power and pleasure of popular music in its many forms.

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Models & Brands:
Elvis Costello: A Bio-Bibliography (Bio-Bibliographies in Music), The Music of Joni Mitchell, Don't Deny My Name: Words and Music and the Black Intellectual Tradition, The Long and Winding Road from Blake to the Beatles (Nineteenth-Century Major Lives and Letters), Encyclopedia of Indie Rock, Stolen Time: The History of Tempo Rubato (Clarendon Paperbacks), The American Popular Ballad of the Golden Era, 1924-1950: A Study in Musical Design, This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and Punk (Roth Family Foundation Music in America Imprint), Pop Music in British Cinema: A Chronicle (BFI Film Classics), Bacchanalian Sentiments: Musical Experiences and Political Counterpoints in Trinidad, Listening to Popular Music: Or, How I Learned to Stop Worrying and Love Led Zeppelin (Tracking Pop), Please Please Me: Sixties British Pop, Inside Out, Oh Boy!: Masculinities and Popular Music, Traces of the Spirit: The Religious Dimensions of Popular Music, Joel Whitburn Presents the Billboard Hot 100 Annual 7th Edition (1955-2005), Out of Sight: The Rise of African American Popular Music, 1889-1895 (American Made Music Series), Popular Music and Society, Putting Popular Music in its Place, The Johnny Cash Record Catalog (Music Reference Collection), Soundtracks : Popular Music, Identity and Place (Critical Geographies)

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