Publication date: 2009-02-01 Dewey code: 741 List Price: $55.00 Price: $55.00
Review ¡Viva la historieta!: Mexican Comics, NAFTA, and the Politics of Globalization / University Press of Mississippi:A study of how a nation's comics artists grapple with economic upheaval
Creator: Dick Locher Edition: Limited Publication date: 1990-06 Dewey code: 741.50973 List Price: $50.00 Price: $419.99
Review Dick Tracy Casebook: Favorite Adventures, 1931-1990 / St Martins Pr:
Publication date: 2009-06-01 Dewey code: 741 List Price: $50.00 Price: $50.00
Review God of Comics: Osamu Tezuka and the Creation of Post-World War II Manga (Great Comics Artists Series) / University Press of Mississippi:Cartoonist Osamu Tezuka (1928–1989) is the single most important figure in Japanese post-World War II comics. During his four-decade career, Tezuka published more than 150,000 pages of comics, produced animation films, wrote essays and short fiction, and earned a Ph. D. in medicine. Along with creating the character Astro Boy (Mighty Atom in Japan), he is best known for establishing story comics as the mainstream genre in the Japanese comic book industry, creating narratives with cinematic flow and complex characters. This style influenced all subsequent Japanese output. God of Comics chronicles Tezuka’s life and works, placing his creations both in the cultural climate and in the history of Japanese comics. The book emphasizes Tezuka’s use of intertextuality. His works are filled with quotations from other texts and cultural products, such as film, theater, opera, and literature. Often, these quoted texts and images bring with them a world of meanings, enriching the narrative. [+]
Tezuka also used stock characters and recurrent visual jokes as a way of creating a coherent world that encompasses all of his works. God of Comics includes close analysis of Tezuka’s lesser-known works, many of which have never been translated into English. It offers one of the first in-depth studies of Tezuka’s oeuvre to be published in English.
Creator: Charles Forsdick; Laurence Grove; Libbie McQuillan Publication date: 2005-06 Dewey code: 850 List Price: $66.00 Price: $54.44
Review The Francophone Bande Dessinée (Faux Titre 265) (Faux Titre) / Rodopi:Known as France’s Ninth Art, the bande dessinée has a status far surpassing that of the equivalent English-language comic strip. This publication, one of the first predominantly in English on the subject, provides a thorough introduction to questions of BD history, context and bibliography. Theoretical issues – including the reception of the early proto-BD prior to its modern definition, approaches to the construction of a BD (presented here in BD form by leading artist Tanitoc), semiology and the reading of the current form, or the specificity of the French/US (non)overlap – complement historical approaches, such as Bécassine read in the light of postcolonialism, Le Corbusier and BD techniques in architecture, post-war BD and nostalgia for the Resistance, or Pilote and the 1960s revolution. And whilst broaching issues such as feminism or masculinity, social class, AIDS, exoticism or futurism, the volume presents chapters on some of the cutting-edge artists in the field today: Baru, Moebius, Juillard, Binet, Bilal… This book supplies an introduction to the BD that will be of use to students and researchers at all levels. In addition, the format of the individual case studies provides in-depth analysis allowing the reader to grasp specific examples in terms both of their place vis-a-vis the evolution of the BD and, more generally, of the wider role they play within French and Francophone cultural studies.
Publication date: 2007-03-19 Dewey code: 741.5092 List Price: $55.00 Price: $55.00
Review Father of the Comic Strip: Rodolphe Töpffer (Great Comics Artists Series) / University Press of Mississippi:Sixty years before the comics entered the American newspaper press, Rodolphe Töpffer of Geneva (1799-1846), schoolmaster, university professor, polemical journalist, art critic, landscape draftsman, and writer of fiction, travel tales, and social criticism, invented a new art form: the comic strip, or "picture story," that is now the graphic novel. At first he resisted publishing what he called his "little follies. " When he did, they became instantly popular, plagiarized, and imitated throughout Europe and the United States. Töpffer developed a graphic style suited to his poor eyesight: the doodle, which he systematized and also theorized. The drawings, with their "modernist" spontaneous, flickering, broken lines, forming figures in mad hyperactivity, run above deft, ironic captions and propel narratives of surreal absurdity. The artist's maniacal protagonists mix social satire with myth. By the mid-nineteenth century, Messrs. Jabot, Festus, Cryptogame, and other members of the crazy family, comprising eight picture stories in all, were instant folk heroes. In a biographical framework, Kunzle situates the comic strips in the Genevan and European culture of the time as well as in relation to Töpffer's other work, notably his hilarious travel tales, and recounts their curious genesis (with an initial imprimatur from Goethe, no less) and their controversial success. Kunzle's study, the first in English on the writer-artist, accompanies Rodolphe Töpffer: The Complete Comic Strips, a facsimile edition of the strips themselves, with the first-ever translation of these into English. [+]
David Kunzle is a professor of art history at the University of California, Los Angeles, and the author of many books on popular culture and graphic arts, including History of the Comic Strip: The Nineteenth Century.
Publication date: 2005-10-18 Dewey code: 306.097309045 List Price: $50.00 Price: $50.00
Review Fredric Wertham and the Critique of Mass Culture / University Press of Mississippi:Too often remembered solely as the psychiatrist and cultural critic whose testimony in Senate subcommittees sparked the creation of the Comics Code, Fredric Wertham was a far more complex man. Author Bart Beaty traces the evolution of Wertham's attitudes toward popular culture and reassesses his place in the debate about pop culture's effects on youth and society. When The Seduction of the Innocent was published in 1954, Wertham (1895-1981) became instantly known as an authority on child psychology. Although he had published several books before Seduction, its sharp criticism of popular culture in general-and comic books in particular-made it a touchstone for debate about issues of censorship, child protection, and freedom of speech. Fredric Wertham and the Critique of Mass Culture, a fresh perspective on Wertham's career, reinterprets his intellectual legacy and challenges notions about his alleged cultural conservatism. Drawing upon Wertham's published works as well as his unpublished private papers, correspondence, and notes, Beaty reveals a man whose opinions, life, and career offer more subtlety of thought than previously assumed. In particular, the book examines Wertham's change of heart in the 1970s, when he began to claim that comics could be a positive influence in American society. The Wertham that emerges is a critic who was significantly more progressive and multifaceted than his reputation would suggest. Bart Beaty is associate professor of communication and culture at the University of Calgary. His work has been published in the Comics Journal, International Journal of Comic Art, Canadian Journal of Communication, Essays in Canadian Writing, and Canadian Review of American Studies.
Publication date: 2008-06-09 Dewey code: 305.897 List Price: $49.95 Price: $49.95
Review Native Americans In Comic Books: A Critical Study / McFarland:This work takes an in-depth look at the world of comic books through the eyes of a Native American reader and offers frank commentary on the medium's cultural representation of the Native American people. It addresses a range of portrayals, from the bloodthirsty barbarians and noble savages of dime novels, to formulaic secondary characters and sidekicks, and, occasionally, protagonists sans paternal white hero, examining how and why Native Americans have been consistently marginalized and misrepresented in comics. Chapters cover early representations of Native Americans in popular culture and newspaper comic strips, the Fenimore Cooper legacy, the "white" Indian, the shaman, revisionist portrayals, and Native American comics from small publishers, among other topics.
Publication date: 2009-05-28 Dewey code: 306 List Price: $69.50 Price: $43.79
Review Demanding Respect: The Evolution of the American Comic Book / Temple University Press:How is it that comic books—the once reviled form of lowbrow popular culture—are now the rage for Hollywood blockbusters, the basis for bestselling video games, and the inspiration for literary graphic novels? In Demanding Respect, Paul Lopes immerses himself in the discourse and practices of this art and subculture to provide a social history of the American comic book over the last 75 years. Lopes analyzes the cultural production, reception, and consumption of American comic books throughout American history. He charts the rise of superheroes, the proliferation of serials, and the emergence of graphic novels. Demanding Respect explores how comic books born in the 1930s were perceived as a “menace” in the 1950s, only to later become collectors’ items and eventually “hip” fiction in the 1980s through today. Using a theoretical framework to examine the construction of comic book culture—the artists, publishers, readers and fans—Lopes explains how and why comic books have captured the public’s imagination and gained a fanatic cult following.
Publication date: 2008-03-17 Dewey code: 741.5973 List Price: $49.95 Price: $49.95
Review Marvel Graphic Novels and Related Publications: An Annotated Guide to Comics, Prose Novels, Children's Books, Articles, Criticism and Reference Works, 1965-2005 / McFarland:This work provides an extensive guide for students, fans, and collectors of Marvel Comics. Focusing on Marvel's mainstream comics, the author provides a detailed description of each comic along with a bibliographic citation listing the publication's title, writers-artists, publisher, ISBN (if available), and a plot synopsis. One appendix provides a comprehensive alphabetical index of Marvel and Marvel related publications to 2005, while two other appendices provide selected lists of Marvel-related game books and unpublished Marvel titles.
Creator: Jeffery Klaehn Publication date: 2006-11-01 Dewey code: 741.5 List Price: $53.99 Price: $44.37
Review Inside the World of Comic Books / Black Rose Books:With the popularity of comic book properties at an all-time high, the time is right for a collection of essays and original interviews devoted to all things comic book. As well as essays on contemporary issues and trends associated with comic books and comic book culture, this diverse collection also features original interviews with top comic industry professionals. From visionary writers and artists, to award-winning editors and publishers, interviewees include: Joe Quesada, artist, writer, and Marvel Comics editor-in-chief; Victor Lucas, creator, producer, and co-host of the award-winning Electric Playground; Steve Englehart, acclaimed writer for Marvel Comics and DC Comics; John Romita Sr, legendary Amazing Spiderman artist and Marvel Comics art director; Steve Niles, writer of 30 Days of Night, Dark Days, and Wake the Dead; Eric Searleman, Viz Media editor; Chris Warner, Dark Horse Comics senior editor; Scott Allie, writer and Dark Horse Comics Conan editor; Norm Breyfogle, acclaimed Batman artist. Addressing the role comic books play in reflecting the mood of popular culture, essay topics include: comic book fan communities; comics in relation to cinema and video games; the issue of censorship, in particular, of horror comics; comic book content and social attitudes of the 1950s and 1960s; detective comics of the 1970s; and women collectors and the image of women in comic books, in general.
Creator: Joseph Witek Publication date: 2007-08-20 Dewey code: 741.5973 List Price: $50.00 Price: $50.00
Review Art Spiegelman: Conversations (Conversations With Comic Artists) / University Press of Mississippi:When the graphic novel Maus: A Survivor's Tale won a Special Pulitzer Prize in 1992 for its vivid depiction of the Holocaust and its effects, critics and mainstream audiences recognized that a comic book was capable of exploring complex aesthetic, moral, and cultural themes. Maus's creator Art Spiegelman (b. 1948) became the most famous alternative cartoonist in America. Art Spiegelman: Conversations reveals an artist who had long been working to establish comics as a serious art form. With his wife Françoise Mouly, he founded and edited RAW-the most in-fluential showcase for avant-garde comics in America-which published early work by such well-established cartoonists as Chris Ware, Kaz, and Gary Panter. Spiegelman's essays and lectures helped to establish that comics have a history and a canon. This collection of interviews and profiles spans 1976-2006 and covers Spiegelman's career as an artist, critic, educator, and art historian. A previously unpublished interview conducted by the volume's editor discusses themes rarely touched upon in earlier profiles. Joseph Witek is director of graduate studies and professor of English at Stetson University. He is the author of Comic Books as History: The Narrative Art of Jack Jackson, Art Spiegelman, and Harvey Pekar (University Press of Mississippi), and his work has appeared in many publications.
Creator: Nick Nguyen Publication date: 2009-08-01 Dewey code: 741 List Price: $55.00 Price: $55.00
Review Of Comics and Men: A Cultural History of American Comic Books / University Press of Mississippi:Originally published in France and long sought in English translation, Jean-Paul Gabilliet’s Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form. A thorough introduction by translators and comics scholars Bart Beaty and Nick Nguyen brings the book up to date with explorations of the latest innovations, particularly the graphic novel. The book is organized into three sections: a concise history of the evolution of the comic book form in America; an overview of the distribution and consumption of American comic books, detailing specific controversies such as the creation of the Comics Code in the mid-1950s; and the problematic legitimization of the form that has occurred recently within the academy and in popular discourse. Viewing comic books from a variety of theoretical lenses, Gabilliet shows how seemingly disparate issues—creation, production, and reception—are in fact connected in ways that are not necessarily true of other art forms. Analyzing examples from a variety of genres, this book provides a thorough landmark overview of American comic books that sheds new light on this versatile art form.
Authors
- Glen Cadigan
- Mike Grell
- Curt Swan
- Dave Cockrum
Edition: Graphic novel Publication date: 2003-11-25 Dewey code: 741 List Price: $24.95 Price: $49.95
Review The Legion Companion / TwoMorrows Publishing:In time for the Legion of Super Heroes' 45th anniversary, The Legion Companion takes a behind-the-scenes look at the story behind the comic book, in the acclaimed format of TwoMorrows' other "Companion" volumes. Set in the 30th Century, the Legion was originally conceived as a spin-off of Superman, featuring his adventures with the team while he was still Superboy. It may not be exactly what you'd expect from the title, but Legion Companion offers plenty of information for fans of the 30th century's greatest super group. It's a collection of dozens of interviews with virtually every creative talent that worked on the Legion of Super-Heroes, including Jim Shooter, Curt Swan, Paul Levitz, Jim Starlin, Jimmy Janes, Keith Giffen, and Steve Lightle. Some of the interviews (and Shooter's "How I Spent My Summer Vacation" intro) appeared in the 1980s-vintage fanzine The Legion Outpost, but most were conducted in 2003, and the book is generously illustrated in black and white with both original comic panels and rare items from the subjects' personal collections. Legion Companion, however, is not a convenient reference guide to Legion lore, so you're out of luck if you're looking for a quick explanation of the story of Ferro Lad or the significance of the Legion Reboot. That's not to say that whatever info you want isn't here-it might be, but you'll have to make an informed guess or scan through a lot of interviews to find it. Still, one can't discount the value of having this much information straight from the mouths of so many writers and artists collected in one convenient volume, and if you're an LSH fan, you'll probably find it surprisingly absorbing. -David Horiuchi.
Publication date: 2008-08-01 Dewey code: 741.56973 List Price: $50.00 Price: $50.00
Review Garry Trudeau: Doonesbury and the Aesthetics of Satire (Great Comics Artists Series) / University Press of Mississippi:Since 1968, Garry Trudeau (b. 1948) has brought his brand of political satire to bear on public figures, movie stars, heads of state, and even on himself. Trudeau has also advocated for artists' rights and challenged industry norms while keeping a decidedly low profile. In Garry Trudeau: Doonesbury and the Aesthetics of Satire, Kerry D. Soper traces the contribution of this groundbreaking artist. Trudeau is arguably the premier American political and social satirist of the last forty years. Amazingly, he achieved this on the comics page, rather than the editorial page. By defying convention, Trudeau has established a hybrid form of popular satire that capitalizes on the narrative continuity and broad reach of the comic strip form, while operating according to the rules of combative political commentary. Garry Trudeau is divided into chapters that offer a history of Doonesbury; an analysis of Trudeau's effective satiric methods; a discussion of the methods whereby he challenged the business practices of the comic strip industry; an examination of the aesthetics of Doonesbury; and a consideration of Trudeau's significance as a social chronicler through an analysis of his character construction, narrative practices, and documentation of the American zeitgeist. Garry Trudeau is a thorough assessment of one of America's most popular and controversial cartoonists. [+]
Kerry D. Soper is director of the American studies program and associate professor of humanities, classics, and comparative literature at Brigham Young University. His work has appeared in the Journal of American Studies, International Journal of Comic Art, INKS: Cartoon and Comic Art Studies, the Chronicle of Higher Education, and other periodicals.
Creator: Matthew P. McAllister Publication date: 2007-06-15 Dewey code: 791.43657 List Price: $55.00 Price: $51.25
Review Film and Comic Books / University Press of Mississippi:In Film and Comic Books contributors analyze the problems of adapting one medium to another; the translation of comics aesthetics into film; audience expectations, reception, and reaction to comic book-based films; and the adaptation of films into comics. A wide range of comic/film adaptations are explored, including superheroes (Spider-Man), comic strips (Dick Tracy), realist and autobiographical comics (American Splendor, Ghost World), and photo-montage comics (Mexico's El Santo). Essayists discuss films beginning with the 1978 Superman. That success led filmmakers to adapt a multitude of comic books for the screen including Marvel's Uncanny X-Men, the Amazing Spider-Man, Blade, and the Incredible Hulk as well as alternative graphic novels such as From Hell, V for Vendetta, and Road to Perdition. Essayists also discuss recent works from Mexico, France, Germany, and Malaysia.
Creator: Jeff Smith Publication date: 2003-11 Dewey code: 741.509 List Price: $51.20 Price: $51.20
Review Getting Graphic / Topeka Bindery:
Publication date: 2008-04-09 Dewey code: 741.53543 List Price: $49.95 Price: $49.95
Review Love on the Racks: A History of American Romance Comics / McFarland:For the better part of three decades romance comics were an American institution. Nearly 6,000 romance comics were published between 1947 and 1977, and there was a time when one of every five comics sold in the U. S. was a romance comic. This is the first book devoted entirely to the rarely studied world of romance comics. The text includes information on several types of romance comics and their creators, plus the history, numbers, and publishing frequency of dozens of romance titles. The author examines several significant periods in the development of the romance genre, including the origins of Archie Comics and other teen romance publications, the romance comic "boom and bust" of the 1950s, and the genre's sudden disappearance when fantasy and superhero comics began to dominate mainstream comics in the late 1970s.
Creator: Michael G. Rhode Publication date: 2008-09-02 Dewey code: 741.56973 List Price: $50.00 Price: $50.00
Review Harvey Pekar: Conversations (Conversations With Comic Artists Series) / University Press of Mississippi:Harvey Pekar's American Splendor is the longest-running and arguably the most influential autobiographical comic book series produced in America. Since 1976, Pekar (b. 1939) has reported on his life through his comics. Pekar's comic books deal with his life as a Veterans Administration clerk and freelance music critic; his friends and co-workers and their stories; and his home city of Cleveland. Pekar's struggles with physical and mental problems, a low-paying job, Hollywood, marriage, his daughter's adoption, and success are all laid out in his comics. Pekar prides himself on depicting his life in all its "splendor. " Harvey Pekar: Conversations offers almost twenty-five years of interviews from a variety of sources including small fanzines, local public radio shows, and the Washington Post. The volume reveals his thoughts and feelings about comics, autobiography, his appearances on David Letterman's show in the 1980s, his life with cancer, and how a successful 2003 movie adaptation of American Splendor has changed and not changed his life. His comics work has won the National Book Award, spawned theatrical productions, and served as the basis for the award-winning movie starring Paul Giamatti as Pekar. Michael G. [+]
Rhode is an independent comics scholar and an editor of the International Journal of Comic Art. His work has been published in the Comics Journal and Hogan's Alley.
Edition: Unabridged Publication date: 2008-03-25 Dewey code: 300 List Price: $72.95 Price: $49.77
Review The Ten Cent Plague: The Great Comic Book Scare and How It Changed America / Blackstone Audio Inc.:In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created in the pulpy, boldly illustrated pages of comic books. But no sooner had this new culture emerged than it was beaten down by church groups and a McCarthyish Congress. In The Ten-Cent Plague, David Hadju reveals how comics, years before the rock and roll revolution, brought on a clash between postwar children and their prewar parents. Created by outsiders from the tenements, garish, shameless, and often shocking, comics became the targets of a raging generational culture divide. They were burned in public bonfires, outlawed in certain cities, and nearly destroyed by the televised hearings orchestrated by Congress. The Ten-Cent Plague radically revises common notions of popular culture and the divide between "high" and "low" art.
Publication date: 1990-02 Dewey code: 741.50973 List Price: $30.00 Price: $95.15
Review Comic Books As History: The Narrative Art of Jack Jackson, Art Spiegelman, and Harvey Pekar (Studies in Popular Culture) / Univ Pr of Mississippi (Txt):This well focused and perceptive analysis of a phenomenon in our popular culture-the new respectability of the comic book form-argues that the comics medium has a productive tradition of telling true stories with grace and economy. It details vividly the outburst of underground comics in the late 1960s and ‘70s, whose cadre of artistically gifted creators were committed to writing comic books for adults, an audience they made aware that comic books can offer narratives of great power and technical sophistication. In this study Joseph Witek examines the rise of the comic book to a position of importance in modern culture and assesses its ideological and historical implications. Jack Jackson, Art Spiegelman, and Harvey Pekar are among the creators whom Witek credits for the emergence of the comic book as a serious artistic medium. As American codes of ethics, aesthetics, and semiotics have evolved, so too has the comic book as a mode for presenting the weightier matters of history. It is safe to claim that comic books are not just for kids anymore.
| Models & Brands: ¡Viva la historieta!: Mexican Comics, NAFTA, and the Politics of Globalization, Dick Tracy Casebook: Favorite Adventures, 1931-1990, God of Comics: Osamu Tezuka and the Creation of Post-World War II Manga (Great Comics Artists Series), The Francophone Bande Dessinée (Faux Titre 265) (Faux Titre), Father of the Comic Strip: Rodolphe Töpffer (Great Comics Artists Series), Fredric Wertham and the Critique of Mass Culture, Native Americans In Comic Books: A Critical Study, Demanding Respect: The Evolution of the American Comic Book, Marvel Graphic Novels and Related Publications: An Annotated Guide to Comics, Prose Novels, Children's Books, Articles, Criticism and Reference Works, 1965-2005, Inside the World of Comic Books, Art Spiegelman: Conversations (Conversations With Comic Artists), Of Comics and Men: A Cultural History of American Comic Books, The Legion Companion, Garry Trudeau: Doonesbury and the Aesthetics of Satire (Great Comics Artists Series), Film and Comic Books, Getting Graphic, Love on the Racks: A History of American Romance Comics, Harvey Pekar: Conversations (Conversations With Comic Artists Series), The Ten Cent Plague: The Great Comic Book Scare and How It Changed America, Comic Books As History: The Narrative Art of Jack Jackson, Art Spiegelman, and Harvey Pekar (Studies in Popular Culture)Top headlines: U.S. intel office adds warming to warnings: A major U.S. intelligence report coming out Thursday is adding climate change to the "traditional" mix of factors expected to destabilize the world into the near future. ›21:33 19 Nov, Wed Can the Youth Vote Save Obama?: With the Hillary juggernaut growing in strength every day, Barack Obama is hoping Iowas youth can help keep him in the game. ›14:47 8 Oct, Mon Fowl foul: Thanksgiving dinner stolen: A Wisconsin family found it hard to be thankful after a thief made off with their turkey dinner. ›04:59 30 Nov, Sun Terror Watch: Gonzales Lawyers Up: Still under investigation by Congress and Justice Department lawyers who once worked for him, the former attorney general has turned to a leading Washington attorney to help him beat the rap. ›18:12 10 Oct, Wed Military fears surge in mental health disorders: Some 15,000 soldiers are heading home to this sprawling base after spending more than a year at war in Iraq and Afghanistan, and military health officials are bracing for a surge in brain injuries and psychological problems among those troops. ›20:18 29 Nov, Sat Gross: Banks Claim the Credit Crisis is Over. 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