It emphasizes American and European subjects and designs in an attempt to offset the exclusivity of oriental designs in available Japanese books. The organization of Ice Carving Made Easy, Second Edition allows for carvers of every proficiency to use the book with success-each stage of creating a carving is discussed, from manufacturing of ice to the final presentation. Such introductory topics as the handling of ice, hand and power tools, and templates are described in as much detail and given as much attention as the more complex sections about carving faces, fusing, and developing multiple block sculptures. Each of the 34 ice sculptures that Amendola presents is supported by step-by-step instructions that allow the novice and expert alike to create show-pieces that will add a special touch to banquets, buffets, and special events.

The better the wine, the more precisely the Atlas locates its origin, down to a single field. Besides revealing where a vineyard is located, maps can explain why it is there: what is singular about the site and its size; its soil, slope, sunshine, rainfall; and how it relates to its neighboring vineyards. They reveal the fundamental differences in terroir - the myriad details of a landscape which conspire to make the difference between a grand cru and a vin de table. This new edition of the Atlas further expands its coverage and visual appeal. Every one of its 180 maps has been revised, extended where necessary, and brought completely up-to-date. Of these, 36 are totally new, mapping areas that have recently risen - or risen again - to excellence, or have changed so greatly that they demand new cartographic treatment. The entire introductory section on the background to wine and its enjoyment has been redesigned and newly illustrated. New artwork, color photographs, fact boxes, and tables enhance the text, much of it rewritten to reflect the latest changes. Despite the considerable efforts of competitors around the world, no other wine atlas can match The World Atlas of Wine or claim its cartographic excellence. The translation of this atlas into a dozen languages bears witness to its remarkable success. In his foreword to the third edition, the president of the Office International de la Vigne et le Vin predicted a choice place for the Atlas in every wine expert's or wine lover's library. This fourth edition is set to maintain and enhance its status through a third decade. The World Atlas of Wine is something of a dream-team production. The names Hugh Johnson and Jancis Robinson alone recommend any book on which they appear. The fifth edition (in 30 years) of this astonishingly successful book lives up to, and surpasses, its predecessors. In 350 densely packed but never clotted pages the authors manage the extraordinary feat of characterizing wine production throughout the world, from Vancouver Island to Japan-Buddhists first planted vines in that inhospitably precipitous, monsoon-lashed land over a 1,000 years ago. After a substantial introductory section dealing with the history of wine, its making, storage, and enjoyment, we're off. Starting with (where else?) France and Burgundy, each wine area is summarized in terms of its geography, climate, and preferred vines and the appellations, laws, and traditions that govern production. The discussion of Pomerol, for example, tells you a great deal in one short page. Even since 1994, when the fourth edition came out, vast changes have swept the wine world, and many parts of the atlas have been correspondingly completely reworked. South America, Canada, Southern France, Italy, Greece, Eastern Europe, and the Eastern Mediterranean are among the areas that have benefited. The regional maps that form the core of the book are a triumph of clarity. The whole production constitutes a brilliant achievement of organization and synthesis, forming an indispensable resource for any wine lover at all interested in where the wine they drink comes from and why it tastes the way it does. -Robin Davidson, Amazon. co. uk.